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This loose adaptation of Dostoyevsky’s White Nights is, in its sobriety, reminiscent more of Bresson’s Four Nights of a Dreamer than of Luchino Visconti’s film treating the same story. The contemporary tale of lonely Marat’s fascination for the complex Mariyam was shot on the streets of Almaty, while its melancholic ambience is enhanced by subtle artistic and acoustic details.